Undercarriages

The Undercarriages series explores the unseen and often neglected aspects of everyday objects, pushing the boundaries of perception by transforming the mundane into something extraordinary. Through a meticulous and unconventional perspective, Laverty challenges the viewer to reconsider the familiar, much in the tradition of art movements that have sought to disrupt and redefine our understanding of the ordinary.

Undercarriages draws from a rich lineage of artistic practices that employ inversion and recontextualization to challenge conventional viewpoints. Like Duchamp’s radical reimagining of everyday objects in his readymades, Laverty’s work compels viewers to confront the overlooked and the hidden. By presenting objects from unexpected angles, he creates a dialogue between the visible and the invisible, questioning the societal tendencies to focus only on what is readily apparent.

Undercarriages also engages with the tradition of artists who invert their subjects to provoke a shift in perception. Laverty’s work resonates with the subversive nature of Georg Baselitz’s inverted paintings, which force the viewer to engage with the subject in a new way, stripping away preconceived notions and encouraging a fresh interpretation. Additionally, Laverty’s exploration of the underside of objects echoes the conceptual inquiries found in modern and contemporary art, where artists have long grappled with themes of visibility, value, and the layers of meaning beneath the surface.

Through this series, Laverty continues his broader artistic exploration of how the unseen and often ignored can reveal deeper truths about our world. By focusing on what is typically hidden, Undercarriages invites viewers to engage more deeply with the objects and spaces around them, offering a renewed appreciation for the complexity and craftsmanship that lie beneath the surface. Laverty’s work challenges us to look beyond the obvious, encouraging a more nuanced and thoughtful interaction with the everyday, and reinforcing his position as a contemporary artist who deftly bridges the gap between historical context and innovative practice.